The Ronettes (1962)
The Ronettes (1962)
Barbra Streisand with her
son Jason Gould
on the set of
“Hello, Dolly!” (1969).
Life is a musical.
Elvis Presley reading fan mail in his suite at the Warwick Hotel in New York City on March 17, 1956.
stayed at the the Warwick when he appeared on the Dorsey Brothers’ ‘Stage Show’ program on CBS-TV. Between the afternoon rehearsal and the evening performance, he returned to the Warwick Hotel to rest and freshen up.
(Photos by Alfred Wertheimer)
Madonna photographed by Helmut Newton for Vanity Fair, 1990.
Jean-Michel Basquiat and Madonna photographed by Stephen Torton, 1982.
Madonna and Basquiat dated for a while, but his heroin addiction ended up pulling them apart. “He was an amazing man and deeply talented. I loved him,” she said. “When I broke up with him, he made me give all [his paintings] back to him. And then he painted over them black.” She regrets giving the art back, but felt pressured to do so since it was something he had created. (The Howard Stern Show, March 2015)
Madonna: “Basquiat was my boyfriend for a while, and I remember getting up in the middle of the night and he wouldn’t be in bed lying next to me; he’d be standing, painting, at four in the morning, this close to the canvas, in a trance. I was blown away by that, that he worked when he felt moved. And they gave jobs to everyone. Keith would meet kids on the street and ask them to come stretch his canvases for him. Basquiat had every B-boy and every graffiti artist in his loft. He was constantly giving everything away. I think they felt guilty that they became successful and were surrounded by people who were penniless, so they shared what they had. They were incredibly generous people, and that rubbed off on me. You stay inspired that way. I could never work in a recording studio where you have this lovely view and a beach and the waves are crashing. For me, it’s all about being in a tiny room with little windows. It’s almost like you have to be in a prison. And you can create beauty when you’re in that sort of deprived environment, which is a re-creation of your formative years.”
“I remember having conversations with Keith [Haring] and with Basquiat about the importance of your art being accessible to people,“ she recalled. “That was their big thing—it should be available to everyone. It was so important for Keith to be able to draw on subways and walls. And Basquiat used to say to me, ‘You’re so lucky that you make music, because music comes out of radios everywhere.’ He thought that what I did was more pop, more connected to pop culture than what he did. Little did he know that his art would become pop culture. But it’s not like we really had discussions about the meaning of art. I remember hearing them talk about those things.”
(Interview Magazine, December 2014)
Ike and Tina Turner performing in 1971.
Photos by David Redfern
Nina Simone and Janis Joplin in 1969.
Photos by Chuck Stewart